The main character (and the narrator) of the
story is the girl on the casp of puberty, unnamed and therefore undignified.
Unlike the narrator, the young brother Laird is named – a name that means
"lord" – and implies that he, by virtue of his gender alone, is
invested with identity and is to become a master. This stereotyping in names
alone seems to suggest that gender does play an important role in the
initiation of young children into adults. Growing up, the narrator loves to
help her father outside with the foxes, rather than to aid her mother with
"dreary and peculiarly depressing" work done in the kitchen. In this
escape from her predestined duties, the narrator looks upon her mother's
assigned tasks to be "endless," while she views the work of her
father as "ritualistically important". This view illustrates her
happy childhood, filled with dreams and fantasy. Her contrast between the work
of her father and the chores of her mother, illustrate an arising struggle
between what the narrator is expected to do and what she wants to do. Work done
by her father is viewed as being real, while that done by her mother was considered
boring. Conflicting views of what was fun and what was expected lead the
narrator to her initiation into adulthood.
The other characters are the father and the
mother and the younger brother of the main character. The type of personages'
characterisation is indirect, as we have the attitude of the narrator towards
them, not the author's description. The speech characterisation of the main
character should also be mentioned, as she uses complex syntax and learned
words, though she is young.
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